Forthcoming

“Embers in the horizon, everlasting suns.” Curatorial essay. Beyond the Commons: From Stardust to Everlasting Sun. Published by A Space Gallery, Toronto.

“At the Edge of Dreaming.” Monographic essay on Mahsa Merci. Published by Wolf Hill, New York.

“Interrogating Control: The Imaginative Works of Ghazaleh Avarzamani.” Feature. Studio 20, no. 2 (Spring/Summer 2025).

Title TBD. OF THE SACRED. Curatorial essay. Published by Critical Distance Centre for Curators, Toronto.

“Loss and Resurgence in a Changing World.” Curatorial essay. Abdelkader Benchamma: Solastalgia: Archeologies of Loss. Published by The Power Plant Contemporary Art Gallery, Toronto.

Published

“To shine a light on truths held captive.” Nebulae. Monographic essay on Anahita Norouzi. Published by the Musée national des beaux-arts du Québec, 2025.

“Stephanie Comilang: To Make a Painting from Memory.” Exhibition review. Esse arts + opinions, no. 112 “Rêves” (Fall 2024): 88.

“Imagining Freedom through Transa(r)tlantic Reparative Interventions.” YOU NAME IT. Interview with Sasha Huber. Published by The Power Plant Contemporary Art Gallery, Toronto; Autograph, London; and Mousse Publishing, 2022.

“Curatorial (Mis)care in an Age of Ongoing Crises.” Residency essay. Banff International Curatorial Institute. Published by Banff Centre for Arts and Creativity, 2021.

“The Objects That We Carry: Lorena Salomé at Trinity Square Video.” Exhibition review. Peripheral Review, 13 October, 2021.

“Gaawiin Ogiibagidenaawaasiiwaawan / They Did Not Let It Go: Robert Houle.” Exhibition review. C Magazine, 15 February, 2021.

“EXTRACOLONIAL: Reflections for Action.” Curatorial essay, co-authored with Claudia Mattos. Published by Sur Gallery // Latin American-Canadian Art Projects, Toronto, March, 2020.

“LAW & (DIS)ORDER.” Curatorial essay, co-authored with Claudia Mattos. Published by Vtape, Toronto, February, 2020.

“Bertram Brooker: This Tremendous Arc.” Curatorial essay. Published by MacLaren Art Centre, Barrie, November 2019.

“Signs of Passage: The Iconography of the U.S.-Mexico Border.” Reflection. National Gallery of Canada Magazine. 28 February, 2018.

“Witness at the Ottawa Art Gallery.” Exhibition review. PUBLIC, no. 53 “Mega-Event Cities” (Spring 2016): 184-186.

“Ephemera from Jean-Paul Riopelle’s Early U.S. Shows.” Guggenheim Blogs, 5 November, 2015.

"Mithu Sen at Galerie Nadia Obadia, Paris.” Exhibition review. Magenta Magazine, 3 April, 2013.

“Robert Waters: The Agony and the Ecstasy.” Exhibition review. Canadian Art Online, October 2011.