Forthcoming
Title TBD. OF THE SACRED. Curatorial essay. Published by Critical Distance Centre for Curators, Toronto.
“To shine a light on truths held captive.” Anahita Norouzi. Monographic essay. Published by the Musée national des beaux-arts du Québec.
“Loss and Resurgence in a Changing World.” Curatorial essay. Abdelkader Benchamma: Solastalgia: Archeologies of Loss. Published by The Power Plant Contemporary Art Gallery, Toronto.
Published
“Imagining Freedom through Transa(r)tlantic Reparative Interventions.” YOU NAME IT. Interview with Sasha Huber. Published by The Power Plant Contemporary Art Gallery, Toronto; Autograph, London; and Mousse Publishing, 2022.
“Curatorial (Mis)care in an Age of Ongoing Crises.” Residency essay. Banff International Curatorial Institute. Published by Banff Centre for Arts and Creativity, 2021.
“EXTRACOLONIAL: Reflections for Action.” Curatorial essay, co-authored with Claudia Mattos. Published by Sur Gallery // Latin American-Canadian Art Projects, Toronto, March, 2020.
“LAW & (DIS)ORDER.” Curatorial essay, co-authored with Claudia Mattos. Published by Vtape, Toronto, February, 2020.
“All is Well on the Border.” Curatorial essay, co-authored with Claudia Mattos. Published by Vtape, April 2017.
“Witness at the Ottawa Art Gallery.” Exhibition review. PUBLIC, no. 53 “Mega-Event Cities” (Spring 2016): 184-186.
"Mithu Sen at Galerie Nadia Obadia, Paris.” Exhibition review. Magenta Magazine, 3 April, 2013.